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Boldly forthright and bitterly candid, Junot Diaz’s “Drown” forges a sense of community culture that propels the development of several of the work’s major themes, foremost among them the retention of historically accepted implications of masculinity.
The female body is a prevalent theme in Atwood’s work, and her poetic background is conspicuous in the explicative imagery of this passage, whose elements of extended metaphor and fluency epitomise Cixous’s literary theory. Offred’s style is therefore distinctly feminine at times, a narrative approach that could be seen to contract Atwood.
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This dissertation aims, from the point of view that literature is a possible tool for denouncing society problems (BOOKER, 1994a), to understand how The hunger games criticizes the contemporary world, and, in order to do that, it intends to investigate the similarities between the world of the novel and the historical context of its publication.The Hunger Games (COLLINS, 2008) alludes to.
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The image of literature to be found in ordinary culture is tyranically centred on the author, his person, his life, his tastes, his passions, while criticism still consists for the most part in saying that Baudelaire's work is the failure of Baudelaire the man, Van Gogh's his madness, Tchaikovsky's his vice.